Photography and its conservation: continuity and Changes in the Digital Era. (Registro nro. 305045)
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| 000 -CABECERA | |
|---|---|
| fixed length control field | 03100nab a2200337 4500 |
| 001 - NÚMERO DE CONTROL | |
| campo de control | MUSEF-HEM-PPE-091772 |
| 003 - IDENTIFICADOR DEL NÚMERO DE CONTROL | |
| campo de control | BO-LP-MUSEF |
| 005 - FECHA Y HORA DE LA ÚLTIMA TRANSACCIÓN | |
| campo de control | 20240513163025.0 |
| 008 - ELEMENTOS DE DATOS DE LONGITUD FIJA: INFORMACIÓN GENERAL | |
| campo de control de longitud fija | 240513b2019 ja ||||| |||| 00| 0 eng d |
| 040 ## - FUENTE DE CATALOGACIÓN | |
| Agencia de catalogación original | BO-LpMNE |
| 041 ## - CÓDIGO DE LENGUAJE | |
| Código de idioma del texto | eng |
| 092 ## - NÚMERO DE LLAMADA DE DEWEY ASIGNADO LOCALMENTE (OCLC) | |
| Sección | E |
| Número de clasificación | SENT-ETH-S(102)/ 2019 |
| 100 1# - ENTRADA PRINCIPAL -- NOMBRE PERSONAL | |
| Nombre personal | Lavédrine, Bertrand |
| 245 ## - DECLARACIÓN DE TÍTULO | |
| Título | Photography and its conservation: continuity and Changes in the Digital Era. |
| Declaración de responsabilidad, etc. | Bertrand Lavédrine |
| 260 ## - PUBLICACIÓN, DISTRIBUCIÓN, ETC. | |
| Lugar de publicación, distribución, etc. | Osaka-JP : |
| Nombre del editor, distribuidor, etc. | National Museum Ethnology, |
| Fecha de publicación, distribución, etc | 2019. |
| 300 ## - DESCRIPCIÓN FÍSICA | |
| Páginas | páginas 115-122: |
| Otros detalles físicos | ilustraciones blanco y negro. |
| 310 ## - FRECUENCIA DE PUBLICACIÓN ACTUAL | |
| Frecuencia de publicación actual | Irregular |
| 362 ## - FECHAS DE PUBLICACIÓN Y/O DESIGNACIÓN SECUENCIAL | |
| Fechas de publicación y/o designación secuencial | no. 102 (2019) |
| 490 ## - DECLARACIÓN DE SERIE | |
| Declaración de serie | Senri Ethnological Studies ; |
| Volumen/designación secuencial | no. 102 |
| 520 ## - RESUMEN, ETC. | |
| Resumen | The emergence of digital photography and digital technology, in general, illustrate the principle of "creative destruction", coined by the economist. Joseph Schumpeter (1883-1950) (Schumpeter 1942). During the 20th century, the photography industry regularly introduced innovations that have contributed to its growth. Improvements in appearance combined with lower costs for consumers increased the availability of photographs to the general public. Photographs are now a popular commodity. However, at the end of the twentieth century, the introduction of digital photography provoked a discontinuity and historic structural transformations. The market moved from the chemical to the electronic sector. This major shift initiated the progressive destruction of the traditional photographic market. The leaders in this former field, including Kodak, Agfa, and Fuji are weakening. As well as economic challenges, this has impacted the photographic artwork and photograph's materiality. We press a button, an image is captured and subsequently presented to us. In contrast to the processes of the past which include a chemical process, the development of the image is replaced by an electronic process that we do not need to be involved in. However, is a photo still a photo? More so than any other visual art, digital technology has induced a paradigmatic historical shift. While the public appreciates the ease and quickly adapts to this new digital media, the field of photography has been subjected to a profound disruption and our photographic heritage is facing an important change. This paper will review some of these changes in order to demonstrate how we moved from a culture of photographic prints to an imaging culture; we have shifted from memorial photography to fast consumption photography. The transformation has impacted cultural institutions in what they must conserve and how they conserve it. |
| 653 ## - TÉRMINO DEL ÍNDICE -- SIN CONTROL | |
| Término no controlado | PATRIMONIO CULTURAL |
| 653 ## - TÉRMINO DEL ÍNDICE -- SIN CONTROL | |
| Término no controlado | FOTOGRAFIAS |
| 653 ## - TÉRMINO DEL ÍNDICE -- SIN CONTROL | |
| Término no controlado | MUSEOS |
| 653 ## - TÉRMINO DEL ÍNDICE -- SIN CONTROL | |
| Término no controlado | CONSERVACION PREVENTIVA |
| 773 0# - ENTRADA DE ARTÍCULO ANFITRIÓN | |
| Host Biblionumber | 305034 |
| Host Itemnumber | 78235 |
| Encabezado de entrada principal | National Museum of Ethnology |
| Lugar, editorial y fecha de publicación | Osaka-JP : National Museum Ethnology, 2019. |
| Otro identificador de artículo | HEMREV035372 |
| Enumeración y primera página | Senri Ethnological Studies ; |
| Record control number | (BO-LP-MUSEF)MUSEF-HEM-PPE-091765 |
| 810 ## - ENTRADA SECUNDARIA DE SERIE -- NOMBRE CORPORATIVO | |
| Razón social o nombre de la jurisdicción como elemento de entrada | National Museum of Ethnology Osaka. |
| 850 ## - INSTITUCIÓN TENEDORA | |
| Código de institución | BO-LpMNE |
| 866 ## - FONDOS TEXTUALES -- UNIDAD BIBLIOGRÁFICA BÁSICA | |
| Número de existencia | 1 |
| 942 ## - ELEMENTOS DE ENTRADA ADICIONAL (KOHA) | |
| Fuente de clasificación o esquema de estantería | |
| Tipo de elemento Koha | Publicaciones Periodicas Extranjeras |
| Disponibilidad | Concluido |
| Soporte | Impreso |
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