Empastado.

Contenido: Introduction -- The Tiwanaku Textile Style -- The Art Style of Tiwanaku -- Tiwanaku Art Style in Stone Sculture and Architecture -- The Tiwanaku Sphere of Influence -- Coastal Tiahuanaco an Wari Style -- A Definition of Style -- Summary of research problems -- The Collections -- Textiles of the Tiwanaku Sphere of Influence -- Other Textile Collections from the South Central Andes -- Archeological Contexts for Tiwanaku Style Textiles -- Niño Korin -- Manzanani Cave -- Omerque -- Mojocoya -- Perez -- San Pedro de Atacama -- Coyo Oriental -- Solcor 3 -- Arica -- Summary of the Archaeological Context -- Tiwanaku Tapestry Style -- Tapestry Tunics, Mantles and Hangings -- Form of Tapestry Tunics in Tiwanaku Style -- Form of Tapestry Mantles and Hangings In Tiwanaku Style -- Iconography of Tapestry Tunics, mantles and Hangings in Tiwanaku Style -- Tapestry Bags -- Form of Tapestry Bags in Tiwanaku Style -- Iconography of Tapestry Bags in Tiwanaku Style -- Tiwanaku Embroidered Style -- Form of Embroidered Bags In Tiwanaku Style -- Form of Embroidered Cloths in Tiwanaku Style -- Iconography of the Tiwanaku Embroidered Style -- Tiwanaku Warp-Patterned Style -- Form of Narrow Bands in Tiwanaku Warp-Patterned Style -- Narrow Bands of Complementary-Warp Weaves -- Narrow Bands of Supplementary-Warp Floats -- Narrow Bans in Transposed Warps -- Narrow Bands in Oblique Interlacing -- Iconography of the Tiwanaku Warp-Patterned Style -- Summary -- Textiles of the Tiwanaku Tapestry Style -- textiles of the rape Complex -- Wari and Tiwanaku Style Contrasted -- Conclusions.