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"Young Soldiers, One day we will change Taiwan": Masculinity Politics in the Taiwan Rap Scene. Meredith Schweig
Tipo de material:
ArtículoIdioma: Inglés Series Ethnomusicology. Journal of the Society for Ethnomusicology ; no. 3 | Estados Unidos ; Detalles de publicación: Illinois-XXU : University of Illinois Press, 2016.Descripción: páginas 383-410: ilustraciones en blanco y negroTema(s):
En: Sociey for Ethnomusicology Ethnomusicology. Journal of the Society for EthnomusicologyResumen: This article explores the gender practices of Taiwan's male-dominated rap scene, with particular attention to the sonic, textual, and ritual reverbera- tions of Confucian ideologies. In the context of shifting gender roles driven by dramatic sociopolitical and economic change over the course of the past two and a half decades, I argue that artists reimagine and refashion Confu- cian gender regimes and notions of intra-group hierarchy to create critical new spaces for male sociality, avenues for male self-empowerment, and op- portunities for the articulation of masculine identities not otherwise audible in Taiwan's popular music.Existencias: 1
| Tipo de ítem | Biblioteca actual | Colección | Signatura topográfica | Info Vol | Copia número | Estado | Código de barras | |
|---|---|---|---|---|---|---|---|---|
Publicaciones Periodicas Extranjeras
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Museo Nacional de Etnografía y Folklore Centro de procesamiento | Revistas | E/ ETHNOM/ vol.60(3)/ 2016 | no.3 | 1 | Disponible | HEMREV029271 |
This article explores the gender practices of Taiwan's male-dominated rap scene, with particular attention to the sonic, textual, and ritual reverbera- tions of Confucian ideologies. In the context of shifting gender roles driven by dramatic sociopolitical and economic change over the course of the past two and a half decades, I argue that artists reimagine and refashion Confu- cian gender regimes and notions of intra-group hierarchy to create critical new spaces for male sociality, avenues for male self-empowerment, and op- portunities for the articulation of masculine identities not otherwise audible in Taiwan's popular music.
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