| 000 | 01914nab a2200313 4500 | ||
|---|---|---|---|
| 001 | MUSEF-HEM-PPE-091213 | ||
| 003 | BO-LP-MUSEF | ||
| 005 | 20230602105016.0 | ||
| 008 | 230531b1982 us ||||| |||| 00| 0 eng d | ||
| 040 | _aBO-LpMNE | ||
| 041 | _aeng | ||
| 092 |
_sE _aAMER-ANT/vol.47(2)/ Apr.1982 |
||
| 100 | 1 | _aLittmann, Edwin R. | |
| 245 |
_aMaya blue further perspectives and the possible use of indigo as the colorant. _cEdwin R. Littmann |
||
| 260 |
_aEstados Unidos-US : _bSociety for American Archaeology, _c1982. |
||
| 300 |
_apáginas 404-408: _bilustraciones en blanco y negro. |
||
| 310 | _aTrimestral | ||
| 362 | _avol.47; n.1 (Apr.1982) | ||
| 490 |
_3American Antiquity. Journal of the Society for American Archaeology ; _ano.2 |
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| 520 | _aA blue pigment having the chemical stability of authentic Maya Blue can be prepared from indigo and attapulgite with the raw mateirals available to the ancient Maya, and by techniques presumably within their knowledge. The procedure possibly used consists of impregnating attapulgite with an extract of indigo plant leaves and stems and subsequently heating the impregnated clay for an extended period of time at the temperature of boiling water. This procedure would obviate the need for transportation of montmorillonite to areas for removed from its source and would account for the existence of the various types of Maya Blue noted in a previous report. | ||
| 653 | _aTINTES Y TEÑIDOS | ||
| 653 | _aPIGMENTOS | ||
| 773 | 0 |
_0302538 _976634 _aSociety for American Archaeology _dEstados Unidos-US : Society for American Archaeology, 1982. _oHEMREV011864 _tAmerican Antiquity. Journal of the Society for American Archaeology; _w(BO-LP-MUSEF)MUSEF-HEM-PPE-091201 |
|
| 810 | _aSoociety for American Archaeology. | ||
| 850 | _aBO-LpMNE | ||
| 866 | _a1 | ||
| 942 |
_2ddc _cPPE _dCON _j011 |
||
| 999 | _c302571 | ||