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008			240515b2016 xxu||||| |||| 00| 0 eng d
040			_aBO-LpMNE
041			_aeng
092			_sE _aETHNOM/Vol.60(2)/2016
100	1		_aAbe, Marié
245			_aSounding Against Nuclear Power in Post-3.11 Japan: Resonances of Silence and Chindon-ya. _cMarié Abe
260			_aIllinois-XXU : _bUniversity of Illinois Press, _c2016.
300			_apáginas 233-262: _bilustraciones en blanco y negro.
310			_aTres veces al año
362			_avol. 60, no. 2 (2016)
490			_aEthnomusicology. Journal of the Society for Ethnomusicology ; _vno. 2
520			_a In this paper, I explore the tension between the socially mandated silence of jishuku and the sounds of anti-nuclear power street protests to in- vestigate how chindon-ya, an ostentatious musical advertisement practice on the street, has become politicized as a sonic emblem of the recent anti-nuclear movement in post-3.11 disaster Japan. By listening to both the sound of chin- don-ya at demonstrations and the weighty silence of jishuku together, I suggest that chindon-ya sounds are foregrounding new political possibilities, enabling a broader-based movement toward, and beyond, what anthropologist Marc Abélès calls "the politics of survival" in contemporary Japan.
653			_aACUSTICA
653			_aONDAS SONORAS
653			_aVIBRACIONES
773	0		_0305060 _978252 _aSociey for Ethnomusicology _dIllinois-XXU : University of Illinois Press, 2016. _oHEMREV029154 _tEthnomusicology. Journal of the Society for Ethnomusicology ; _w(BO-LP-MUSEF)MUSEF-HEM-PPE-091782
810			_aEstados Unidos. _bSociety for Ethnomusicology.
850			_aBO-LpMNE
866			_a1
942			_2ddc _cPPE _dCON _j011
999			_c305063