000			01954nab a2200325 4500
001			MUSEF-HEM-PPE-091797
003			BO-LP-MUSEF
005			20240516101847.0
008			240516b2017 xxu||||| |||| 00| 0 eng d
040			_aBO-LpMNE
041			_aeng
092			_sE _aETHNOM/vol.61(2)/sum.2017
100	1		_aAlaghband-Zadeh, Chloë
245			_aListening to North Indian Classical Music: How Embodied ways of listening perform imagined histories and Social Class. _cChloë Alaghband Zadeh
260			_aIllinois-XXU : _bUniversity of Illinois Press, _c2017.
300			_apáginas 207-233: _bilustraciones en blanco y negro.
310			_aTres veces al año
362			_avol. 61, no. 2 (sum. 2017)
490			_aEthnomusicology. Journal of the Society for Ethnomusicology ; _vno. 2
520			_aWith this article, I theorize the sociality of embodied ways of listen- ing to North Indian classical music. I focus on rasikas (connoisseurs): these expert listeners are conspicuous at live performances, where they gesture and comment to express their enjoyment of the music. Based on ethnography and interviews with musicians and music lovers in Delhi, Mumbai, and Pune, I argue that rasikas' embodied, audible listening practices enact shared imagined histories and perform expertise and social status. Moreover, these listening behaviors also sustain values of the so-called old middle class in India in the face of economic and social change.
653			_aFORMAS MUSICALES
653			_aMUSICA CLASICA
653			_aINDIA
773	0		_0305095 _978275 _aSociey for Ethnomusicology _dIllinois-XXU : University of Illinois Press, 2017. _oHEMREV029110 _tEthnomusicology. Journal of the Society for Ethnomusicology ; _w(BO-LP-MUSEF)MUSEF-HEM-PPE-091795
810			_aEstados Unidos. _bSociety for Ethnomusicology.
850			_aBO-LpMNE
866			_a1
942			_2ddc _cPPE _dCON _j011
999			_c305099