000			01880 #a2200421 #4500
001			MUSEF-BIB-MON-003472
003			BO-LP-MUSEF
005			20220430214248.0
008			080101s1982 NL a |r| 001|0|spa d
040			_aBO-LpMNE
041			_aspa
082		4	_a391.65 _221
092			_s E _c391.65 _cG971i
100	1		_aGulik, W. R. Van
245	0	0	_aIrezumi: the pattern of dermatography in Japan.
260			_aNetherlands - NL _bRijksmuseum voor Volkenkunde _c1982
300			_a308 p. _bilus.
520	3		_aContiene: The prelimanary stage - Irezumi - The edo period up to 1750 - Amusement quartes - Irebokuro - The flowering - The edo period after 1950 - The emergence of the diffuse-integrated type of tattooing - The tattoed members of society - More motifs and motives - The theatrical scene - Prohibition of Irezumi - The tattoo master and his techniques - The dragon tattoo - The structural-functional significance of the fireman's Dragon tattoo - The periphery - Ainu tattooing - Sources on the custon of ainu tattooing - The idividuals involved in ainu tattooing - Form characteristics of ainu tattooing - Legendary sources on the origin and tradition of Ainu tattooing - The function and significance of ainu tattooing - Legal measures concerning ainu tattooing - Tattooing in prehistoric Japan: some implications and Cross cultural perspectives.
546			_aEspañol.
650		4	_aARTE
650		4	_aTATUAJES
650		4	_aJAPON
650		4	_aETNOLOGIA
650		4	_aUSOS Y COSTUMBRES
650		4	_aCULTURA POPULAR
650		4	_aRELIGION
650		4	_aFOLKLORE
650		4	_aHISTORIA
650		4	_aPOBLACION
650		4	_aCERAMICA
650		4	_aTRADICIONES POPULARES
653			_aCIENCIAS SOCIALES
653			_aETNOLOGIA
850			_aBO-LpMNE
866		1	_a1
942			_cBK _dCON _j011 _2ddc
999			_c3511